- e-STORE
- >
- MEDIUM
- >
- PAINTINGS & PRINTS
- >
- Junko Hagiwara - Two Ships, Woolloomooloo
Junko Hagiwara - Two Ships, Woolloomooloo
SKU:
JHpr01
A$180.00
A$180.00
Unavailable
per item
Limited Edition Print
Framed, 30 x 42 cm
About the work...
Junko Hagiwara simply creates what she sees. There are no theories, ego, career-mindedness, first drafts, photographic sources, image manipulation or any other baggage involved. Her choice of medium commits every brushstroke to the surface, in a representation of visual truth.
Framed, 30 x 42 cm
About the work...
Junko Hagiwara simply creates what she sees. There are no theories, ego, career-mindedness, first drafts, photographic sources, image manipulation or any other baggage involved. Her choice of medium commits every brushstroke to the surface, in a representation of visual truth.
You may also like...
Junko Hagiwara - Circular Quay
Watercolour on Paper
39 x 54 cmAbout the work...
Junko Hagiwara simply creates what she sees. There are no theories, ego, career-mindedness, first drafts, photographic sources, image manipulation or any other baggage involved. Her choice of medium commits every brushstroke to the surface, in a representation of visual truth.
Junko Hagiwara simply creates what she sees. There are no theories, ego, career-mindedness, first drafts, photographic sources, image manipulation or any other baggage involved. Her choice of medium commits every brushstroke to the surface, in a representation of visual truth.
Junko Hagiwara - Mulberry Street Vintage Clothing, King St. Newtown
Watercolour on Paper
Framed, 63 x 50 cm
About the work...
Junko Hagiwara simply creates what she sees. There are no theories, ego, career-mindedness, first drafts, photographic sources, image manipulation or any other baggage involved. Her choice of medium commits every brushstroke to the surface, in a representation of visual truth.
Framed, 63 x 50 cm
About the work...
Junko Hagiwara simply creates what she sees. There are no theories, ego, career-mindedness, first drafts, photographic sources, image manipulation or any other baggage involved. Her choice of medium commits every brushstroke to the surface, in a representation of visual truth.
Chloe Harris - Fall #1
Prussian Blue on Hahnemuhle Paper
35 x 38.5 cm
About the work...
This work belongs to a series titled, Solitude, in which artist Chloe Harris, explores the true beauty in nature and its overwhelming power to both nervously isolate and peacefully calm. Nature’s intense and at times confronting, solitude and isolation seems to eventually bring an immense peace and any sought after clarification. Through this body of work, Chloe creates a fluid series with a powerful meditative presence, void of any idea or concept of time.
35 x 38.5 cm
About the work...
This work belongs to a series titled, Solitude, in which artist Chloe Harris, explores the true beauty in nature and its overwhelming power to both nervously isolate and peacefully calm. Nature’s intense and at times confronting, solitude and isolation seems to eventually bring an immense peace and any sought after clarification. Through this body of work, Chloe creates a fluid series with a powerful meditative presence, void of any idea or concept of time.
Kay Watanabe - Taller
Etching and stencil, 2014
20 x 14.5 cm, unframed
About the Work...
Kay Watanabe is a Brisbane-based visual artist who is mainly working in the field of printmaking. Kay is increasingly aware of the problems modern society is facing - problems include various conflicts among nations, within the community and inside the household as well as environmental issues.
Through “Higher” and “Taller,” both of which were created using the etching and stencil techniques, Kay expresses her hope for a solution despite these problems, which are often meshed together.
20 x 14.5 cm, unframed
About the Work...
Kay Watanabe is a Brisbane-based visual artist who is mainly working in the field of printmaking. Kay is increasingly aware of the problems modern society is facing - problems include various conflicts among nations, within the community and inside the household as well as environmental issues.
Through “Higher” and “Taller,” both of which were created using the etching and stencil techniques, Kay expresses her hope for a solution despite these problems, which are often meshed together.